Just a scant few months ago I was just another aspiring writer, somewhat ahead having at least a finished manuscript. I did not yet have a respectable number of rejections and was therefore unprepared for the publishing offer which appeared, like a Djinn from a bottle. I approached the offer as cautiously as a bubble collector. Even now, having signed contacts and launched social media pages and re-read my words until I developed a Pavlovian distemper towards them, there is a feeling of unreality. My characters have moved on and are busy adventuring through the next phase of their lives and although I have attempted to keep up with their travels, there is this feeling of it all having happened to someone else. As if I had actually written the entire episode in a book about my own life.
Last night my most esteemed and excellent writers group listened to a lovely talk in our local library by Professor Peter Roennfeldt author of Madame Mallalieu, an accomplished and remarkable musician of early Queensland. We were bold enough to ask him if he would like to stay and chat with our group, as it was our usual meeting night. He told us that his own relationship with his book was one where although he felt like it was a child of his mind he did not have any desire to read it. I understood completely. As much as I have loved my characters I do not wish to read their tale again - it's a little like listening to Great Aunt Millicent's story number 26 about how she had an interesting experience on the train as a young girl travelling in central Bulgaria. The first few times it's charming and interesting, after about the tenth time you start to check your texts under the table.
Now all I have to do is wrestle the Facebook and Twitter button on here so they link through and this job will be done.
I wonder what Maximillian and Charlotte are up to?
Tea-drinker, writer and editor. Ecologist, environmental scientist, futurist and student of irony.